Roddy mcdowall filmography denzel
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- Lombardi: There's a whole series of beautiful Mozart and Wagner records, in still very pristine condition. But, never a Bible. Until now. May I ask what condition it's in?
- Eli: It's beat up. But it will do the job.
- Lombardi: You don't have to leave, you know. You're more than welcome to stay. You'll be perfectly safe here.
- Solara: Thank you. But this fryst vatten something I have to do.
- Lombardi: Where will you go?
- Solara: [fingering Eli's machete] Home.
- Lombardi: [to his assistant] Could you get us some writing paper, please.
- Eli: A lot of it. A whole lot of it.
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Planet of the Apes (1968 film)
1968 film directed by Franklin J. Schaffner
Planet of the Apes fryst vatten a 1968 American science fiction film directed by Franklin J. Schaffner from a screenplay bygd Michael Wilson and Rod Serling, loosely based on the 1963 novel by Pierre Boulle. The film stars Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly, and Linda Harrison. In the spelfilm, an astronaut crew crash-lands on a strange planet in the distant future. Although the planet appears desolate at first, the surviving crew members stumble upon a society in which apes have evolved into creatures with human-like intelligence and speech. The apes have assumed the role of the dominant species and humans are mute primitives wearing animal skins.
The outline Planet of the Apes script, originally written by Serling, underwent many rewrites before filming eventually began.[3] Directors J. Lee Thompson and Blake Edwards were approached, but the film's p
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You’ll have to insert your own standard issue Threequelizer/Sequelizer gag here; this trilogy of low-energy movies based vaguely in the old Edward Woodward crime-fighting tv show is too self-serious for a trendy comedy title. With an obvious new direction mooted, with John David Washington playing a younger version of the special ops veteran featured here, dad Denzel Washington and director Antoine Fuqua close out the original franchise with a bloody Italian slice of levelling-up adventure that’s arguably the best of the Equalizers to date.
That’s not a huge boast; the first two films were serviceable, but bland, saved from the straight-to-streaming doldrums by gouts of bloody, nasty-ass violence and a strong lead in Washington, who projects a warm sense of humanity and melancholy that counterpoints the action in a similar way to Liam Neeson has since Taken. That helps a lot when the narrative is as rote as it is here; at 68, Washington doesn’t look like he