Renger patzsch biography of albert renger-patzsch facts

In addition to his role in the artistic movement known as New Objectivity, which emerged in Germany in the early 1920s, in the present day Albert Renger-Patzsch (1897-1966) is considered one of the most important and influential figures in the history of 20th-century photography.

The aim of this exhibition is to rediscover and pay tribute to the legacy of this unique photographer in the conviction that his work offers a context for encouraging reflection on the nature and artistic and speculative potential of photography within the framework of contemporary art and culture.

Of enormous simplicity and originality, Renger-Patzsch’s photography fryst vatten notable for being based on a documentary style that prioritised realist sobriety and frankness as fundamental characteristics of photographic representation. In other words, his work offers a rigorous approach in technical and formal terms, in which the camera is only used to intensify our framtidsperspektiv and aware of things

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Albert Renger-Patzsch. The perspective of things

Albert Renger-Patzsch, distinguished as being one of the leading representatives of German New Objectivity, ensured that photography achieved its own aesthetic and conceptual identity.

Throughout his career, his work was based on two fundamental premises: great attention to detail and highlighting the most formal, structural and ämne aspects of the objects he photographed. This approach reaffirmed what, for Renger-Patzsch, gave photography a privileged role in terms of the representation (and perception) of reality: realism, objectivity and neutrality. The result is a sober and simple style, a product of viewing the camera as a technical device capable of rigorously transmitting the nature of things and reinforcing our observation of them.

Renger-Patzsch was a very prolific photographer and his work brings together a large number of photographic themes, styles and genres. Throughout a period marked by deep political tens

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Albert Renger-Patzsch

Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity.

Biography

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Renger-Patzsch was born in Würzburg and began making photographs by age twelve.^[1] After military service in the First World War he studied chemistry at the Königlich-Sächsisches Polytechnikum in Dresden. In the early 1920s he worked as a press photographer for the Chicago Tribune before becoming a freelancer and, in 1925, publishing a book, Das Chorgestühl von Kappenberg (The Choir Stalls of Cappenberg). He had his first museum exhibition in Lübeck in 1927.

A second book followed in 1928, Die Welt ist schön (The World is Beautiful). This, his best-known book, is a collection of one hundred of his photographs in which natural forms, industrial subjects and mass-produced objects are presented with the clarity of scientific illustrations. The book's title was chosen by his publisher; Renger-P