The works biographies
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Suddenly there is a blow to my face, I am hurled to one side. ‘My child, I have to go with her!’ I scream. But Dr Mengel is standing before me, whip raised. ‘Maul halten, shut up!’ His eyes gleam. Filled with fear I cower down. In , as the Nazi power swept across central europe, Rosa, her husband Emanuel and their daughter, Judy, were forced into hiding. But after a year and a half of living a terrifying, day-by-day existence, they were betrayed. As they arrived in Auschwitz, Rosa was torn from her husband and her only daughter. Could she dare to hope she would see either of them again? Somehow, Rosa fought the horror and humiliation of the camp, on occasion coming dangerously close to death. In nursing the people trapped beside her, she helped others survive, but tragically she also watched them die – including a mother she had met before, with a similar story and a daughter the very same age. Her name was Edith Frank. Written immediately in the months
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Biographies of Modern Art. Collectors and Their Works
The exhibition Biographies of Modern Art: Collectors and Their Works presents eight Jewish collectors whose artworks are now in the Brücke-Museum ‒ art historian Rosa Schapire, art critic Max Osborn, the collector Rosy Fischer, the salonnière Elsa Glaser, economist Hans Heymann and his brother, the writer Walther Heymann, the “jack-of-all-trades” Hugo Simon and art dealer Victor Wallerstein. Each of these individuals was committed to supporting and promoting the Brücke artists.
Provenance research provided the starting point for this show. Since , the Brücke-Museum has been re-examining its collection. One main objective is to identify works of art looted by the National Socialists. Even though provenance research primarily investigates the origin and background of the artworks, it also reveals a great deal about the former owners.
Biographies of Modern Art offers insights into the feat