Louis beroud biography
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Louis Beroud Biography | Oil Painting Reproductions
Louis Béroud was born in Lyon, he went to Paris at nine years old. He entered the work studio of Leon Bonnat to study painting. From 1873, at the age of twenty-one, he showed at the Salon.
Some of his works of art are in the Musée Carnavalet and The Louvre in Paris. Coming upon a working artist and his accessories was not an uncommon event for the exhibition hall visitor in the nineteenth and early twentieth centuries. Replicating the historical center's masterpieces was a traditional part of an artist's education, and a practice Louis Béroud both delighted in and utilized as the subject of no less than twenty of his paintings.
On August 22, 1911, Louis Béroud went to The Louvre to draw his work of art Mona Lisa au Louvre (Mona Lisa at the Louvre) yet where the acclaimed La Gioconda (Mona Lisa), by Leonardo da Vinci, ought to have stood, he discovered four iron pegs.
Louis Béroud
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Louis Béroud canvas prints & artprints
Louis Béroud : biography
Louis Béroud, fryst vatten a frenchpainter born in 1852 in Lyon, France and who died in 1930 in Paris, France. Louis Béroud belonged to the french school art style. He mainly worked during the modern period in the 20 century.Louis Béroud : his main artworks
Louis Béroud is famous for the following art works : le général f.-a. logerot (1825-1913), ministre de la guerre, l'escalier de l'opéra, le dôme huvud à l'exposition universelle de 1889... which are numerous illustrations of his favorite subject of work : portrait, architecture, genre scenes... In order to stare at his work in a museum or gallery, you need to go to musée de l'armée, paris, france, musee de la ville de paris - musee carnavalet, paris, france, louvre, paris, france. The art work of Louis Béroud are, indeed, mainly kept in musée de l'armée, paris, france, musee de la ville de paris - musee carnavalet, paris, france, louvre, paris, france. Muzéo off•
Louis Béroud
After visiting the Louvre in the 1870s, an American traveller noted that "along the galleries are numerous temporary stands, easels, etc., at which artists are constantly at work copying such paintings as they may have orders for, or hope to find purchasers for" (as quoted in Barbara Stern Shapiro, Pleasures of Paris: Daumier to Picasso, exh. cat., Museum of Fine Arts, Boston, 1991, p. 108). Stumbling across a working artist and his accoutrements was not a rare occurrence for the museumgoer in the nineteenth and early twentieth centuries. Viewing and copying the museum's masterpieces was a traditional part of an artist's education, and a practice Béroud both enjoyed and used as the subject of at least twenty-six of his compositions. Indeed, the artist was such a frequent visitor to the Louvre that he is credited with sounding the alarm upon discovering the Mona Lisa's theft in 1911.
The Louvre held the entirety of art history, and