Angelus silesius poemas de reflexion

  • O artigo termina com a análise do poema místico de Angelus Silesius, cujo objetivo é reafirmar tal hipótese e não defender uma mística em Heidegger e nem em.
  • Introduction.
  • ] Con mis poemas [ ] generalmente encuentro que los han mejorado muchísimo de Hôlderlin y de Angelus Silesius.
  • Borges: The Passion of an Endless Quotation

    Citation preview

    BORGES, SECOND EDITION

    SUNY series in Latin American and Iberian Thought and Culture ————— Jorge J. E. Gracia and Rosemary Geisdorfer Feal, editors

    BORGES, SECOND EDITION The Passion of an Endless Quotation

    LISA BLOCK DE BEHAR Translated by

    William Egginton with

    Christopher RayAlexander

    State University of New York Press

    Cover art: caricature of Borges by Uruguayan artist Jorge Satut (Montevideo, ). Photographed by Daniel Behar. Published by

    State University of New York Press, Albany © State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever ­without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission

    Journal articles on the topic 'Silesian Poets'

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    Author:Grafiati

    Published: 4 June

    Last updated: 31 July

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    1

    Modlińska-Piekarz, Angelika. "The Doctrine of Justification in the Neo-Latin Biblical Poetry of Silesian Reformation

    Infrapolitical Deconstruction (and Other Issues Related and Unrelated.)

    In what follows, inom want to comment on Martin Heidegger&#;s reading of Hölderlin&#;s well-known dictum from his letter to his friend Casimir Bohlendorff, &#;the free use of the proper is the most difficult thing&#;. Heidegger devotes a whole section to this enigmatic phrase in the recently translated  Hölderlin&#;s Hymn &#;Remembrance&#; () seminar, which dates to the years in which he was confronting Nietzsche&#;s work, and also more explicitly and for obvious reasons, the issue of German nationalism [1]. In the wake of recent conversations about nationalism and patriotism in political rhetoric, it seems like a fitting time to return to Heidegger&#;s comments on Hölderlin&#;s work. This also marks a turn in Heidegger&#;s thinking of the poetic in the strong sense of the term, which has been analyzed widely in the literature.

    Heidegger begins by claiming that the &#;free use of one&#;s ownmost&#; requir

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